![]() This lesson lists the main tools to improvise over half-diminished chords. When you harmonize in thirds the degrees VI and VII of the major scale you obtain two m7b5 chords. When you harmonize in thirds the degree II of the harmonic minor scale you get a m7b5 chord. When you harmonize in thirds the degree VII of the major scale you obtain a m7b5 chord. For example the 7th degree of the major scale, the 2nd degree of the harmonic minor scale and the 6th and 7th degree of the melodic minor scale. You can find the half-diminished chord in a number of harmonized scales. By comparing Cm7 with Cm7b5 we can see that the notes change from C, Eb, G, Bb to C, Eb, Gb, Bb. ![]() This chord is identical to a minor seventh except that the fifth is lowered one step. This is the only difference between these two chords. The Minor 7th flat 5th chord is an alternation of the minor seventh chord, and is also known as half-diminished or Minor 7th minus 5th. ![]() This chord can be written in two ways: m7b5. The diminished 7th chord has a diminished 7th instead of the minor seventh. Minor 7 flat 5 chord is close to a diminished 7th chord, the first 3 notes are identical, but the 4th is different. What we are going to look at now are some of the ways we can use the Maj7(b5) as a substitution, or as an. If you do not know how to play and what is a diminished 7th chord, you can read this page about diminished chord voicings.Īs is it shown in the chart below, the half-diminished chord is built with a root (1), a minor third (b3), a flat fifth (b5) and a minor 7th (b7). But here is where it starts getting interesting. This chord can be written in two ways: m7b5 or Ø. Minor 7 flat 5 chord is close to a diminished 7th chord, the first 3 notes are identical, but the 4th is different. ![]()
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